YGR # 13

MADADAYO + J-P DAUPHIN

YGR 13
CD-R - 32 COPIES - (4€)

Madadayo est ! Henry G. ! ancien guitariste de FEU Some Tweetlove et médiathécaire à Liège.
Il est ici accompagné de J-P Dauphin qui a déjà joué sous le nom d'Anoé, Aléanoé et bien d'autres encore...

Loop, mélancolie, guitare, ... sont de la partie. Profitez-en !

http://www.myspace.com/musiquemadadayo
http://www.myspace.com/jeanpdauphin

YGR # 12

CONGESTION NASALE - Le goût dans la bouche

YGR 12
CD-R -7 copies- (1€)
!! Not available !!

De nombreuses expressions utilisent le terme « nez » :

• « Au nez et à la barbe »
• « Avoir du nez »
• « Avoir le nez creux » ou « fin »
• « Avoir quelqu'un dans le nez »
• « Cela se voit comme le nez au milieu du visage »
• « Faire de son nez »
• « Gagner les doigts dans le nez »
• « Etre nezu »
• « Mener quelqu'un par le bout du nez »
• « Mettre le nez dehors »
• « Montrer le bout de son nez »
• « Ne pas voir plus loin que le bout de son nez »
• « Passez sous le nez de quelqu'un »
• « Pied de nez »
• « Piquer du nez »
• « Regardez quelqu'un sous le nez »
• « Se casser le nez »
• « Se trouver nez à nez »
• « Sentir à plein nez »
• « Tomber nez à nez »

Apollon et le serpent python.

YGR # 11

DORA'LI - SÆIEGLÎ:N

YGR 11
CD-R -49 copies- (4€)


Dorali* is the musical collaboration between delphine dora and 'li.
It's an improvisation project which consists mainly on our two voices
together, and our 4 hands playing the piano. Sometimes, delphine plays
the piano, while 'li sings. Sometimes, it's the contrary.

SÆIEGLÎ:N , our first record, is the result of three afternoon of
improvisations (between february and april 2007).
Vocalizations between whispers and shout, wordless and imaginary
langage, avant-garde piano playing and ethnic primitive sounds: it's
almost what you can hear in this adventurous and free record which
explore the different sides of voice and musical exploration.

SÆIEGLÎ:N is under Creative Commons Licence. You can listen the whole record on our VIRB page.

Dora'li on Virb
Dora'li on Myspace

DOWNLOAD HERE !!!

YGR # 10

EDGAR WAPPENHALTER - Vleesarmoede

YGR 10
CD-R + TAPE - - 33 copies (6€)

On a shining star is where we meet for this marriage of cosmic folk and ye olde demonic blues. Capable of immediately cradling the listener on sad melodies and nightly melancholy, Wappenhalter frightens us a couple of minutes later with tremendous atmospheres and a sound that breathes human dirtiness. He awakens old shamans and calls them together for a grand psychedelic mass. What's resting is the perfect soundtrack for some ultra low budget horror series.

The cassette that comes with the cdr is the fruit of a 20 minute improvisation, recorded on one track. These are collages, drones and coagulated tears.

The cdr+tape comes in a special way too big packaging with 5 drawings/collages and one poem.

Edgar Wappenhalter is also a member of Silvester Anfang and belongs to the Funeral Folk collective.

- Drawings by Ernesto Gonzales (Bear Bones Lay Low)
- Music/words/lay-out: Edgar Wappenhalter

YGR # 9

CONGESTION NASALE - Salmonella Tape

YGR 09
TAPE - - 13 copies (3€ at Salmonella / 5€ after Salmonella)

+ BONUS CD-R "La MARQUE DE CAIN" (new project)

- - - Congestion Nasale est un des nombreux projets de la petite loutre en chef de Young Girls. Ici, la voix est le centre de l'attention. Bruitages, cris, respiration, étouffement.
L'écoute est vouée à l'échèc.


FACE A.

1: Do you need SALMONELLA tape ?
2: Je te connais, je te méprise et je te parle.
3: TUE-MOI CE PETIT COCHON !!!
4: How do you feel today ?

FACE B.

1: p.IG COLD COLD pig.
2: Vrijvlamingen.
3: Arrête de me parler, ça m'emmerde
4: Tomber sur un objet pointu qui s'enfonce à travers le corps.
5. Voltijds dronkaard ?
6. Ma vie ressemble à une terre brûlée.


- - - LA MARQUE DE CAIN est un projet mort-né. Inspiré par la frustration et le manque d'énergie, les bruits de la gorge et les incentations vocales se rassemblent sous les signes paÏens pour former une colone de fumée guidée par le diable en personne. Il n'y a qu'une seule chanson sur ce CD-R, elle fait 5 minutes. C'est du psyché-drone-noise-vocal, il en est convaincu. Vous aussi maintenant.

Salmonella
...
La marque de C.

YGR # 8

MAURIZIO BIANCHI - Aybasi

YGR08
TAPE - - 91 copies (5€)

"AYBASI"
by Maurizio Bianchi/M. B.

Tracks:
A. AYBASI
B. ISABYA

Dedicated to Batur Sonmez.

Maurizio Bianchi/M. B. used gelatinous comglomerates of consubstantial sounds, mixed with discretional eviscerated noises.

Antithetic metal crucibles for contemplative adherents.

Biography :

Italian composer Maurizio Bianchi (1955) produced his first tapes of noise in the early 1980s, at the peak of the industrial scene, but his chaotic dissonant orgies harked back to the musique concrete of the 1950s, despite similarities with Nocturnal Emissions, Metabolist, Whitehouse, early Throbbing Gristle. He debuted under the moniker Sacher-Pelz with the home-made cassettes Cainus (1979), Venus (1980), Cease To Exist and Velours, later collected on Mutation For A Continuity (Ees'T). They were all-instrumental collages of electronic sounds. Mectpyo/Blut (1980) was the first cassette to be released under his own name. Under the moniker Leibstandarte, Bianchi released his first vinyl albums: Triumph of the Will (Come Organization, 1981), which recycled material already released on cassette, and Weltanschauung (1982). His most relevant works came out under his own name: Symphony For A Genocide (Sterile, 1981), possibly his most terrifying work, Nh/HnMenses (EEs'T, 1982), another classic of horror-shock musical reportage, divided in two lengthy suites (particularly Scent). There followed less powerful works, such as the film soundtrack Morder Unter Uns (Mectpyo Sounds, 1982), and two "softer" albums divided in two lengthy halves each, Regel (EEs'T, 1982) and Mectpyo Bakterium (DYS, 1982), possibly his softest album of the decade. (Grafika Airlines, 1981),

He quickly return to his usual standards with Endometrio (EEs'T, 1983), his second artistic peak and the manifesto of his "bionic" aesthetics, the more accessible Carcinosi (EEs'T, 1983), Das Testament (Mectpyo Sounds, 1983), announced as his last record and containing two of his most extreme suites, and the film soundtrack Armaghedon (EEs'T, 1984), all of them comprised of lengthy free-form suites of noise. The one notable exception was The Plain Truth (Broken Flag, 1983), in the vein of German electronic music.

Industrial Murder (Banned Production, 1992) and Aktivitat (Zabriskie Point, 1992) collect unreleased and rare material.

After a long hiatus, Bianchi returned to music with a metaphysical trilogy of sort, Colori (Ees'T, 1998), First Day Last Day (1999) and Dates (2001), in which religious and philosophical themes dominate, and the sound is much calmer and almost ambient, while FrammentiAntarctic Mosaic (2003) seemed to hark back to his original style of the 1980s. These works, possibly influenced by new-age music, were much more relaxed and almost negated the expressionist power of his early experiments. (2002) and

Chaotische Fraktale (2003) and Letzte Technologie (0404) are collaborations with Frequency In Cycles Per Second (Sandro Kaiser). Zehn Tage/Touka (2004) and The House Of Mourning (Radiotarab, 2005) were collaborations with German duo Telepherique. Through these collaborations, Bianchi slowly returned to atonal industrial music.

The hypnotic Cycles (Ees't, 2004) explored different kinds of loops and pauses.

A M. B. Iehn Tale (Small Voices, 2004), a collection of "piano decompositions," (minimalist/ambient pieces for piano and electronic dissonances) and the double-CD Mind Us Trial (EEs't, 2005) continued his regression to darker moods.

M. I. Nheem Alysm (Silentes, 2005) contains two lengthy piano suites a` la Cycles (Ees't, 2004).

Blut und Nebel (EES'T, 2005), that "remixes" the first ten LPs of the early 1980s, is an excellent demonstration of Bianchi's skills at dadaistic collage, free-form improvisation and abstract soundsculpting, as accrued over twenty years of electronic manipulation. Noise is employed like an electric guitar to produce solos of manic intensity.

Junkyo (Noctovision) and Mectpyo Saisei (Para Disc) are collaborations with Aube.

New collaborations include: Psychoneurose (Manifold, 2005) with Land Use, one of the best of this phase, Final Signal (2005) with Frequency In Cycles Per Second, Secluded Truths (Silentes, 2005) with NIMH.

Bianchi's prolific career continued with Niddah Emmhna (Silentes, 2005), Neuro-munalpMen's True Hated (Menstrualrecordings, 2005), The Testamentary Corridor (Staalplat, 2006). (Small Voices, 2005),

The Epidemic Symphony No 9 (Octpia, 2006) is actually a work mainly by Japanese soundsculptor Hitosji Kojo.

Arkaeo Planum (Small Voices, 2007) is a collaboration with Italian sound artist TH26.

LINKS:

Interview by Marcello Aguirre
Interview by Alternative Zine
Myspace
The sonic Abyss

YGR # 7

WALDGANGER - Le recours aux forêts

YGR07
CD-R
(44 copies) 4€

1. « Promenade », solitude essentielle (synthétiseur, bol tibétain, samples, radio AM, effets)
2. Chasseur « fugitivus errans » (samples)
3. « Physis est Aleiteia » (synthétiseur Roland system 100, 1975)
4. « Physis kryptesthai philei » (synthétiseur Roland system 100, 1975, synthétiseur, samples, guitare)

« Personne ne sait mon nom, et personne ne connaît ce refuge ». Ernst Jünger

Composition et orchestration: Matthieu Cornillie mattcorn9@hotmail.com

2. Contient des bribes de « Les Bêtes sauvages et nous » lu par Roby - de «Vampire Planet » par Neil Norman
4. Contient des bribes de bombardements et de « Les Bêtes sauvages et nous » lu par Roby – guitare : Hadrien Peters

Guitare, enregistrement édition et mixage: Hadrien Peters @ home 2006-2007
Photos : Joachim Chapelle

WALDGANGER