TORTURING NURSE / BRUITAL ORGASME

TORTURING NURSE / BRUITAL ORGASME

YGR 23

Split C-10 (5€)

Torturing Nurse: Shanghai, China.

Brutal electronic rythmic & vokills.

Bruital Orgasme: Grâce-Hollogne, Belgium.

Sad & depressive noise played with a feedback full of tears & nightmares.

bruitalorgasm[AT]hotmail[DOT]com

junkyyy[AT]hotmail[DOT]com

Torturing Nurse

Drawing by Joey Chainsaw (uk)

LA MUGRE ROJA

LA MUGRE ROJA

YGR 22
cd-r (5€)

Martin V. Canova said « drugs don’t work » & (translated by the Young Girls Academy of Smile) it means “everyday should be a holiday”.

Well, LA MUGRE ROJA is Martin’s solo project. This young & beautiful Uruguayan is a FIESTA ANIMAL core member (probably the best South American freak band ever ... with true young & charming girls).
LA SALETE ROUGE is LA MUGRE ROJA. Yes, it is. I’m pretty sure. Canova plays intoxicated & raw songs recorded & mixed on different cassettes (you know, that’s why he released that on a cdr).
He used self-made percussion instruments, Creole guitar & television to create something like that: no- fidelity-orchestra-called-by-a-psych-garage-ensemble -will-destroy-drugs-with-drugs-in-harmony-with-the-ghost-of-Tinky-Winky. (not very funny)

The last track is a long psych & tribal odyssey recorded with a lovely drum & percussion demoiselle duet (Bianca Visconti & Ana Arioni).

Insert poetry & liner notes by Martin himself.
The cover painting is from Antonella Moltini & the layout (?) was made by Julia Saldain.

HEREHAREHERE

HEREHAREHERE

YGR 21
Tape - 5 € -

Primitiv & no-fi vocal duet from UK. Awesome free a'capella attack (throat effects, vocal incantation, ...). Somewhere between a rainbow in the african sky & a young girl singing alone behind Marty Mc Fly's future.

Veteran of the UK scene ... members of Slow Listener, running Archivo de Sangre de Dios & the old & obscur Curor imprint (since 1994 i think).
The duet is on a very fine vocal-focus compilation with Phil Minton, Dylan Nyoukis, ID M Theft Able, Usurper ... ETC. ETC. ...
Another cassette were released on the mighty Scumbag Relations dream team.
Follow the way.

Mini b&w poster (size: A4) ... a VEGETABLE SUN (ooohh man !!!) by the father Bart de Paepe (Sloow tapes, Silvester Anfang II, ...)
+ Other drawings, spacy collage & bullshit by young girls.
Every copy is different. Every hereharehere listener is a rainbow.

MAURIZIO BIANCHI - dekadenz -

MAURIZIO BIANCHI - dekadenz -

YGR 20

CD-R (5 eur)

Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions.

Soundohm

Maurizio Bianchi/M. B. played a decadent piano using sostenuto and damper pedals effects.

Front picture by Maurizio Bianchi, drawing (insert) by the awesome Wouter Vanhaelemeesch (Audiomer ; Flickr)

http://www.theesonicabyss.com/maurizio_bianchi.html

BUFFLE - ? -

BUFFLE - ? -

YGR 19

CD-R (5 eur)

Buffle, Camille-Lili, Esther & Roxanne / full recording of the gig we played with our favourite kids last summer! http://vimeo.com/1491757 / CDR packed in a beautiful dutch wax african fabric cover. Made in Liège with much love.

Buffle est le dernier groupe Wallon à jouer l'Afrique nue au milieu des plages paradisiaques du pacifique. Première sortie Young Girls avec des jeunes filles, pour du vrai de vrai, pas des fausses pour la blague d'un quelconque adulte cynique et blasé. Cette fois-ci, c'est vraiment nostalgie, bonheur et souvenirs. L'innocence et la puissance. LOVE MISSION !

http://www.buffle.tk/

http://www.myspace.com/buffle

http://vimeo.com/1491757

BURIAL HEX - ghost trio n°1 -

BURIAL HEX - ghost trio n°1 -

YGR 18
TAPE - 22 min - (5 eur)

Acoustic piano, amplified metal, shortwave radio.
Burial Hex is Clay Ruby from Davenport, 23 productions, Skullfucking tapes, ….
Records on Aurora Borealis, Sloow Tapes with Second Family, Cult Cassettes, …
http://www.myspace.com/burialhex

Artwork made by our new Flemish nightmare: Wouter Vanhaelemeesch ( Audiomer http://www.myspace.com/audiomer ; FLICKR http://www.flickr.com/photos/smeraldina-rima/)

MOKRONOG - fuck young girls -

MOKRONOG - fuck young girls -

YGR 17

CD-R (5eur)

"Enregistrant doucement le 10 janvier 2009 à merci le cassoulet en face du supermarchié avec sorteur tu connais Liège mec. Et enregistré par Bortsch Vicks. Mastering DTC. Aucun musicien n’a été maltraité pendant l’enregistrement. Ouais c’est bon mec.
Un grand merci à"

No-wave-punk-grotesk-black-metal-noise posse. CHAOS. No comment.

http://www.myspace.com/mokronog

YGR # 16

AL AMOR DE LA LUMBRE - lumière hostile # 2 -

YGR 16
CD-R (5eur)

Since 2003 Al Amor de la Lumbre is a french band gathering Alix Marchetti and Stéphane F. in a musical exploration of all kinds of instruments (piano, balalaïka, synths, guitars) and different methods of playing and recording : sampling, recording through a telephone, tapes, dictaphone, collages, improvisation...
Alix Marchetti and Stephane F. met in 2003, in a bar in Amsterdam. Al Amor de la Lumbre, as they named their band, quickly started rehearsing, mostly in squats and abandonned building, and before an audience made of other local musicians (usually belonging to the new wave / industrial / experimental scene) and also some art galleries owners. Several gigs were organized in their native town Nancy (France) from 2003 to 2006 and they played for several art exhibitons, also with Alix's father, the contemporary artist Jean-Michel Marchetti (who recorded a song with Alix, as a child, with his long-time friend Robert Wyatt, entitled "Dondestan").

But the main inspiration source is their own lives, dreams and experiences ; reality meets fiction and dreamt lives.

http://www.alamordelalumbre.net/

YGR # 15

JEAN DL / NOIR - Interior

YGR 15
CD-R (5€)

Jean D.L.
Bercé par la perte des repères et des significations, Jean D.L. brouille les pistes. Atmosphères vaporeuses, temps en suspension, minimalisme et instantanéité. C'est dans l'imagerie d'une solitude angoissée et hantée par un sentiment durable d'égarement que l'artiste poursuit sa recherche de la singularité.
de Le Roeulx
http://www.jeandl.net/

Noir
Développe un univers lourd à la sonorité tendue ... Un paysage sonore envoutant qui nous entraine dans des contrée ou la fuite est impossible ...
de Tienen

http://www.myspace.com/noirnoirnoir

YGR # 14

CRAIG HILTON - The Smoking Mirror

YGR 14
CD-R (5€)

The title of " The Smoking Mirror " comes from ancient Aztec mythology . It was the title given to given to Tezcatlipoca .. the soul of the world . The title of "Smoking Mirror" linked Tezcatlipoca to obsidian, a black, volcanic stone whose shiny surface could be used as a mirror. The darkness of the obsidian mirror symbolised the black/dark aspects of his being. Tezcatlipoca's bellicose nature related him to red . The original artwork for the cd is by Mascodegama , whose visual works i felt most complimented the Mexican/ South American usage of vibrant colors .

The piece unfolds in 3 sections . All 3 sections are quite similar in form . What i felt important in this recording ( as well in a good portion of my studio material ) was not to focus on one method of structure or a single sound source or sources altered throughout the length of the work .
Everything is used here .
Electronic sound sources , microtonal acoustic instruments , treated acoustics , found sounds , etc.
I felt that the main driving force should not necessarily focus on the actual " novelty " of the sounds displayed .
What drove these pieces was how they formed dynamically with the neighboring sections . No major themes are evolved .
It's as if walking without really taking the chance to see or hear everything in minute detail ... a large free-flowing cluster that has no beginning or end .
By the mythological nature of Tezcatlipoca , i felt this needed a much more dramatic point of attack more than anything .
I only wanted to construct something that would hopefully be as large sonically as the myth himself .

Track listing :

1. He by whom we walk ,
2. who is among us in the reeds ,
3. is an enemy of both sides .

YGR # 13

MADADAYO + J-P DAUPHIN

YGR 13
CD-R - 32 COPIES - (4€)

Madadayo est ! Henry G. ! ancien guitariste de FEU Some Tweetlove et médiathécaire à Liège.
Il est ici accompagné de J-P Dauphin qui a déjà joué sous le nom d'Anoé, Aléanoé et bien d'autres encore...

Loop, mélancolie, guitare, ... sont de la partie. Profitez-en !

http://www.myspace.com/musiquemadadayo
http://www.myspace.com/jeanpdauphin

YGR # 12

CONGESTION NASALE - Le goût dans la bouche

YGR 12
CD-R -7 copies- (1€) [Not available]

De nombreuses expressions utilisent le terme « nez » :

• « Au nez et à la barbe »
• « Avoir du nez »
• « Avoir le nez creux » ou « fin »
• « Avoir quelqu'un dans le nez »
• « Cela se voit comme le nez au milieu du visage »
• « Faire de son nez »
• « Gagner les doigts dans le nez »
• « Etre nezu »
• « Mener quelqu'un par le bout du nez »
• « Mettre le nez dehors »
• « Montrer le bout de son nez »
• « Ne pas voir plus loin que le bout de son nez »
• « Passez sous le nez de quelqu'un »
• « Pied de nez »
• « Piquer du nez »
• « Regardez quelqu'un sous le nez »
• « Se casser le nez »
• « Se trouver nez à nez »
• « Sentir à plein nez »
• « Tomber nez à nez »

Apollon et le serpent python.

YGR # 11

DORA'LI - SÆIEGLÎ:N

YGR 11
CD-R -49 copies- (4€)


Dorali* is the musical collaboration between delphine dora and 'li.
It's an improvisation project which consists mainly on our two voices
together, and our 4 hands playing the piano. Sometimes, delphine plays
the piano, while 'li sings. Sometimes, it's the contrary.

SÆIEGLÎ:N , our first record, is the result of three afternoon of
improvisations (between february and april 2007).
Vocalizations between whispers and shout, wordless and imaginary
langage, avant-garde piano playing and ethnic primitive sounds: it's
almost what you can hear in this adventurous and free record which
explore the different sides of voice and musical exploration.

SÆIEGLÎ:N is under Creative Commons Licence. You can listen the whole record on our VIRB page.

Dora'li on Virb
Dora'li on Myspace

DOWNLOAD HERE !!!

YGR # 10

EDGAR WAPPENHALTER - Vleesarmoede

YGR 10
CD-R + TAPE - - 33 copies (6€) [SOLD OUT]

On a shining star is where we meet for this marriage of cosmic folk and ye olde demonic blues. Capable of immediately cradling the listener on sad melodies and nightly melancholy, Wappenhalter frightens us a couple of minutes later with tremendous atmospheres and a sound that breathes human dirtiness. He awakens old shamans and calls them together for a grand psychedelic mass. What's resting is the perfect soundtrack for some ultra low budget horror series.

The cassette that comes with the cdr is the fruit of a 20 minute improvisation, recorded on one track. These are collages, drones and coagulated tears.

The cdr+tape comes in a special way too big packaging with 5 drawings/collages and one poem.

Edgar Wappenhalter is also a member of Silvester Anfang and belongs to the Funeral Folk collective.

- Drawings by Ernesto Gonzales (Bear Bones Lay Low)
- Music/words/lay-out: Edgar Wappenhalter

YGR # 9

CONGESTION NASALE - Salmonella Tape

YGR 09 (SOLD OUT)
TAPE - - 13 copies (3€ at Salmonella / 5€ after Salmonella)

+ BONUS CD-R "La MARQUE DE CAIN" (new project)

- - - Congestion Nasale est un des nombreux projets de la petite loutre en chef de Young Girls. Ici, la voix est le centre de l'attention. Bruitages, cris, respiration, étouffement.
L'écoute est vouée à l'échèc.


FACE A.
1: Do you need SALMONELLA tape ?
2: Je te connais, je te méprise et je te parle.
3: TUE-MOI CE PETIT COCHON !!!
4: How do you feel today ?

FACE B.
1: p.IG COLD COLD pig.
2: Vrijvlamingen.
3: Arrête de me parler, ça m'emmerde
4: Tomber sur un objet pointu qui s'enfonce à travers le corps.
5. Voltijds dronkaard ?
6. Ma vie ressemble à une terre brûlée.

- - - LA MARQUE DE CAIN est un projet mort-né. Inspiré par la frustration et le manque d'énergie, les bruits de la gorge et les incentations vocales se rassemblent sous les signes paÏens pour former une colone de fumée guidée par le diable en personne. Il n'y a qu'une seule chanson sur ce CD-R, elle fait 5 minutes. C'est du psyché-drone-noise-vocal, il en est convaincu. Vous aussi maintenant.

Salmonella
...
La marque de C.

YGR # 8

MAURIZIO BIANCHI - Aybasi

YGR08 (SOLD OUT)
TAPE - - 91 copies (5€)

"AYBASI"
by Maurizio Bianchi/M. B.

Tracks:
A. AYBASI
B. ISABYA

Dedicated to Batur Sonmez.

Maurizio Bianchi/M. B. used gelatinous comglomerates of consubstantial sounds, mixed with discretional eviscerated noises.

Antithetic metal crucibles for contemplative adherents.

Biography :

Italian composer Maurizio Bianchi (1955) produced his first tapes of noise in the early 1980s, at the peak of the industrial scene, but his chaotic dissonant orgies harked back to the musique concrete of the 1950s, despite similarities with Nocturnal Emissions, Metabolist, Whitehouse, early Throbbing Gristle. He debuted under the moniker Sacher-Pelz with the home-made cassettes Cainus (1979), Venus (1980), Cease To Exist and Velours, later collected on Mutation For A Continuity (Ees'T). They were all-instrumental collages of electronic sounds. Mectpyo/Blut (1980) was the first cassette to be released under his own name. Under the moniker Leibstandarte, Bianchi released his first vinyl albums: Triumph of the Will (Come Organization, 1981), which recycled material already released on cassette, and Weltanschauung (1982). His most relevant works came out under his own name: Symphony For A Genocide (Sterile, 1981), possibly his most terrifying work, Nh/HnMenses (EEs'T, 1982), another classic of horror-shock musical reportage, divided in two lengthy suites (particularly Scent). There followed less powerful works, such as the film soundtrack Morder Unter Uns (Mectpyo Sounds, 1982), and two "softer" albums divided in two lengthy halves each, Regel (EEs'T, 1982) and Mectpyo Bakterium (DYS, 1982), possibly his softest album of the decade. (Grafika Airlines, 1981),

He quickly return to his usual standards with Endometrio (EEs'T, 1983), his second artistic peak and the manifesto of his "bionic" aesthetics, the more accessible Carcinosi (EEs'T, 1983), Das Testament (Mectpyo Sounds, 1983), announced as his last record and containing two of his most extreme suites, and the film soundtrack Armaghedon (EEs'T, 1984), all of them comprised of lengthy free-form suites of noise. The one notable exception was The Plain Truth (Broken Flag, 1983), in the vein of German electronic music.

Industrial Murder (Banned Production, 1992) and Aktivitat (Zabriskie Point, 1992) collect unreleased and rare material.

After a long hiatus, Bianchi returned to music with a metaphysical trilogy of sort, Colori (Ees'T, 1998), First Day Last Day (1999) and Dates (2001), in which religious and philosophical themes dominate, and the sound is much calmer and almost ambient, while FrammentiAntarctic Mosaic (2003) seemed to hark back to his original style of the 1980s. These works, possibly influenced by new-age music, were much more relaxed and almost negated the expressionist power of his early experiments. (2002) and

Chaotische Fraktale (2003) and Letzte Technologie (0404) are collaborations with Frequency In Cycles Per Second (Sandro Kaiser). Zehn Tage/Touka (2004) and The House Of Mourning (Radiotarab, 2005) were collaborations with German duo Telepherique. Through these collaborations, Bianchi slowly returned to atonal industrial music.

The hypnotic Cycles (Ees't, 2004) explored different kinds of loops and pauses.

A M. B. Iehn Tale (Small Voices, 2004), a collection of "piano decompositions," (minimalist/ambient pieces for piano and electronic dissonances) and the double-CD Mind Us Trial (EEs't, 2005) continued his regression to darker moods.

M. I. Nheem Alysm (Silentes, 2005) contains two lengthy piano suites a` la Cycles (Ees't, 2004).

Blut und Nebel (EES'T, 2005), that "remixes" the first ten LPs of the early 1980s, is an excellent demonstration of Bianchi's skills at dadaistic collage, free-form improvisation and abstract soundsculpting, as accrued over twenty years of electronic manipulation. Noise is employed like an electric guitar to produce solos of manic intensity.

Junkyo (Noctovision) and Mectpyo Saisei (Para Disc) are collaborations with Aube.

New collaborations include: Psychoneurose (Manifold, 2005) with Land Use, one of the best of this phase, Final Signal (2005) with Frequency In Cycles Per Second, Secluded Truths (Silentes, 2005) with NIMH.

Bianchi's prolific career continued with Niddah Emmhna (Silentes, 2005), Neuro-munalpMen's True Hated (Menstrualrecordings, 2005), The Testamentary Corridor (Staalplat, 2006). (Small Voices, 2005),

The Epidemic Symphony No 9 (Octpia, 2006) is actually a work mainly by Japanese soundsculptor Hitosji Kojo.

Arkaeo Planum (Small Voices, 2007) is a collaboration with Italian sound artist TH26.

LINKS:

Interview by Marcello Aguirre
Interview by Alternative Zine
Myspace
The sonic Abyss

YGR # 7

WALDGANGER - Le recours aux forêts

YGR07
CD-R
(44 copies) 4€
1. « Promenade », solitude essentielle (synthétiseur, bol tibétain, samples, radio AM, effets)
2. Chasseur « fugitivus errans » (samples)
3. « Physis est Aleiteia » (synthétiseur Roland system 100, 1975)
4. « Physis kryptesthai philei » (synthétiseur Roland system 100, 1975, synthétiseur, samples, guitare)

« Personne ne sait mon nom, et personne ne connaît ce refuge ». Ernst Jünger

Composition et orchestration: M.C

2. Contient des bribes de « Les Bêtes sauvages et nous » lu par Roby - de «Vampire Planet » par Neil Norman
4. Contient des bribes de bombardements et de « Les Bêtes sauvages et nous » lu par Roby – guitare : Hadrien Peters

Guitare, enregistrement édition et mixage: Hadrien Peters @ home 2006-2007
Photos : Joachim Chapelle

WALDGANGER

YGR # 6

K-Branding - Haircut

YGR06 (SOLD OUT)
CD-R
(50 copies) 4€

At the begenning, K-branding was a sextet of improvised music called at this time : "The Monday Guys". In february 2004, the sextet becomes a trio and takes the name "K". The trio is composed by Sébastien Schmit (ex-member of the band Quiet) at the drums, by Vincent Stefanutti at the saxophon and percussions and by Duby Grégory (member of The Invisible Frog) at the guitar. The first goal of the trio is to combine the freedom of improvised music and the violence of punk and noise music. After a while, effects take much place and the music becomes more experimental. The colour of K was found : a mix of free jazz, noise, no-wave, soundtracks,…

In November 2004, K released a 5-title cd-r demo and changes their name into "K-branding". The demo received an enthousiastic echoes from specialized press. The trio gives is first concert in february 2005. Six months later, the band played at the Dour Festival to open the Nameless Stage. Since its first concert, K-branding has played with bands such as L'Enfance Rouge (fr), The Chinese Stars (us), The Georges Leningrad (can), Cougars (US), Vandal X (b), DAAU (b), AIDS Wolf (can), Milgram (fr), An Albatross (us), …

In December 2005, the band goes to the studio to record a second EP composed of four new songs and two improvisation themas from the first demo. The EP is recorded by M. Bodson from Patton at the Magasin 4. Its name is ‘Das Ding' and it is released on the label FF HHH.


Haircut is a compilation of improvisations made during 2006 and 2007. All tracks are self-recorded at home. Mixing was made by Chloé Duby, mastering by Gil Kockelmans & Chloé Duby and photo by Sébastien Schmit.

http://www.k-branding.be/

YGR # 3

OLDMAN (F) - MIND OCEAN ROOM

YGR 03
CD-R
(60 copies) - 4€ -

Oldman is one of the two founders of Man (with Rasim Biyikli). They released records on outstanding labels (such as Sub Rosa, DSA, Acuarela) and performed several pieces for theatre and dance show. He plaid also a part in Dreta Lorélie (a band labelled as “free-cabaret”).

Oldman began his solo project two years ago. There is something claustrophobic and agonizing about Mind ocean room, the ideal piece for a short film in psychiatric hospital.

Recorded in 2007
Composed and played by Oldman
Mastering by Matthias Delplanque
Artwork by Christine Bellin

http://www.myspace.com/mantm
http://www.myspace.com/charlescoldman
http://www.myspace.com/charlesoldman